Scarred Ground – Sophie Ristelhueber

In her FOTO8 interview (11/08/2009) French photographer Ristelhueber comments on how her practice has moved in the direction of ‘scars’ and ‘traces’, ranging from freshly operated bodies inspired by the Yugoslavian civil war to aerial shots of post conflict Kuwait. Bringing her sensibility to a range of traumatic subjects she works conceptually seeing them all with a type of conceptual ambiguity and evenness despite their political context.

SR-Fait67++

Fait No. 67.

“I am a conceptual person, which means that first I have an idea of something I want to do… something that becomes imperative. Afterwards I work so intently that I don’t think any more about the context. About whether I am in a country that is supposed to be Palestine, say, but which perhaps is not going to be Palestine. It’s difficult for others to understand; it’s not that I don’t care for the people around me. But once I’m working, I am working on my concept” (FOTO8 interview).

Every One

from Every One (1994)

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Randa Mirza

a charming residential buildingThis is an image from Randa Mirza’s project entitled Beirutopia. A series of photographs of billboards showing new developments in Beirut, that are distressed, damaged or otherwise interrupted by the life taking place around them.

See more of Randa Mirza’s work here: http://www.randamirza.com/

Neoliberalism & Everyday Life-Conference Brighton

rubble-windows02

Early in September IUD are presenting a paper at Neoliberalism and Everyday Life, the annual conference organised by Nicola Clewer for CAPPE, the University of Brighton. Keynote speaker for 2014 is Imogen Tyler, author of Revolting Subjects: Social Abjection & Resistance in Neoliberal Britain. Our paper is entitled All materials of value have been removed: everyday cleansing in the neoliberal housing environment.

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Camilo Jose Vergara: Tracking Time

“For more than four decades I have devoted myself to photographing and documenting the poorest and most segregated communities in urban America. I feel that a people’s past, including their accomplishments, aspirations and failures, are reflected less in the faces of those who live in these neighborhoods than in the material, built environment in which they move and modify over time. Photography for me is a tool for continuously asking questions, for understanding the spirit of a place, and, as I have discovered over time, for loving and appreciating cities”.

http://www.camilojosevergara.com/

http://invinciblecities.camden.rutgers.edu/intro.html

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